John Nunley: “There are no straight lines in Africa.”
Africa is all about the undulating line. Linear functions don’t apply.
Africa is all about the undulating line. Linear functions don’t apply.
Damaria Senne and I have been having a good time swapping guest posts. She appeared earlier of Riehlife in a post about finding relatives in unexpected places. If you missed it the first time, you can find it here. Damaria Senne, of Johannesburg, South Africa Damaria has posted an extensive 2-part interview with me on…
Zuka Arts Guild presents Janet Riehl’s exhibit CELEBRATING AN AFRICAN EXPERIENCE Part of Old North St. Louis Community Art Walk (Caption: “Naledi in the Underworld” Painting and photograph by Janet Grace Riehl) OPENING: Friday, September 2, 2016, 6 p.m. to 10 p.m. ARTIST TALK: Sunday, September 11, 2016 at 2 p.m. WHERE: 2701…
TWO ROZELLE WEBSITES View images of John Rozelle’s work at his website by the same name and also at Sanaa Productions where you’ll find marvelous collages for sale. _________________ QUOTES “Well, its like jazz: you do this and then you improvise.”—Romare Bearden Rozelle has long lived by the slogan “Every symbol tells a story,” and…
This spring my story “Driving Lessons” won Bronze Award for Family Travel in the First Annual Solas Awards sponsored by Travelers Tales. If you missed “Driving Lessons” the first time, read it on the Travelers Tale site by clicking here for “Janet Riehl’s Flying Carpet Tales”. Their tagline for the story is “The lessons of…
At the Mercy of the River: An Exploration of the Last African Wilderness by Peter Stark “There is always something new coming out of Africa.” –Pliny the Elder
HOMEWORK LINKS 1) Click here to read Obi Nwakanma’s article “Nigeria: A Soyinka Symposium in Carbondale” published in the Vanguard (Lagos) WOLE Soyinka, one of Africa’s leading modernist voices excites a following that is both cultic and diffuse. 2) Also, check out Eyinju Odumare’s photos and commentary “All for Soyinka in Carbondale” ———————— “Culture dialogues…
Although it is obvious who built the 70 mile long straight stretch of railroad track around Dete, I wonder if Mr. Nunley would care to speculate on who is responsible for laying the chevron patterns in the walls of Great Zimbabwe. In the course of my short lifetime I have seen theories on the origins of Great ZImbabwe come and go, ranging from Arabs and Phonecians to Shahili people. Interestingly, the more recent timing of shifts in popular opinion have been coordinated directly with political changes.
“There are no straight lines in Africa,” refers more to a way of being and doing. Naturally there are geometric patterns abounding in African art and daily life.
Your comments on the walls of Great Zimbabwe are interesting. I’ll take some time to learn more.
Janet Riehl